I am using all the hinge actions with my irons,with much success.To use the dual horizontal hinge action with the driver is another story.Every time I open the driver up I get weird things happening.The course I play at has irons only driving range,so i don't get to practice the big dog.I used to play a draw with the driver but it would start down the target line and then turn over.The irons I play are 2 degrees flat so I don't hook the ball.
Any suggestions? I play a 460cc driver.
Could someone please explain the following when hitting draw with driver using a swinging technique, set up/ grip/ plain shifts/ ball position, etc. I am able to hit draw with irons quite easily, but the driver is another matter. Do I need to drop onto a flatter plane on the down swing? Or can I still use a zero shift as I do with my irons.
My goal is to be able to hit a big looping draw at will.
Could someone please explain the following when hitting draw with driver using a swinging technique, set up/ grip/ plain shifts/ ball position, etc. I am able to hit draw with irons quite easily, but the driver is another matter. Do I need to drop onto a flatter plane on the down swing? Or can I still use a zero shift as I do with my irons.
My goal is to be able to hit a big looping draw at will.
To accomplish your goal of being able to consistently Draw the ball, do this:
1. Close your Plane Line (10-5-E);
2. Aim the Clubface at the Target; and
3. Use a free Arm Swing to Trace the Closed Baseline in Start Up and Release.
All this is not simply Closing the Stance Line or 'aiming right' and then attempting to Trace a Square Plane Line, i.e., one that aims directly toward the Target. Instead, it is a deliberate alignment to achieve a true Inside-Out Stroke (as opposed to merely an Inside-Out Impact).
To give your Arms plenty of room to swing, the Body must Turn easily and the right Hip must 'clear' (in both directions). To help here, make sure your left Knee gets pointed slightly behind the ball fairly early in the Backstroke and that you allow your left heel to lift a bit. Allow the lowering of the left heel in the Downstroke to lead your Arms and Hands toward the Ball.
Finally, know what a good Finish position looks like and, from the Top of the Backstroke, swing there. Monitor particularly:
O.B you are correct. the initial start line of the ball is where the face is pointing and the curve of ball is dictated by the path. For example is you came into impact with a face 5 deg open to the target and the path was also 5 degrees IN TO OUT. it would be a straight push. if you have the same face angle of 5 deg. and swung out at the ball 6 deg OR MORE the ball would start right and then draw back.
To accomplish your goal of being able to consistently Draw the ball, do this:
1. Close your Plane Line (10-5-E);
2. Aim the Clubface at the Target; and
3. Use a free Arm Swing to Trace the Closed Baseline in Start Up and Release.
Yoda
Conventional instruction would hold that the ball hit as per your points 1,2,3 above would start off in the direction the clubhead was traveling (right of the target) and the ball would curve back to where the face was pointing (the target).
Would it be correct to think that TGM per 1-L-16 suggests that a ball hit as described above would start off in the direction the clubface was pointing at separation and then curve to the left due to the bent plane line the clubhead path is describing?
It occurs to me that TGM has an entirely different set of procedures for the shot makers fades , draws etc. If I read 1-L-16 correctly that is.
Me, I always pointed the clubface at the target when putting or hitting a wedge shot but the classic Nicklausian fade method never seemed to work for me. Until now I just blamed it on faulty execution but now Im wondering about the methodology. If I was behind a tree a pointed the face at the tree and pointed the plane line left or right of the tree...........Id hit the tree not curve around it.
Hybrid Mode
