i have never heard anybody describe the hip action as slide,turn,slide,turn what a difference...i spent some time of the impact bag last night just slowly working the positions keeping the wedges i had to brace my impact bag to keep it from flying away ..over the years i've had instructors give me bits and pieces of the tgm method but never explained it full..now i'm beginning to see clearly
i have never heard anybody describe the hip action as slide,turn,slide,turn what a difference...i spent some time of the impact bag last night just slowly working the positions keeping the wedges i had to brace my impact bag to keep it from flying away ..over the years i've had instructors give me bits and pieces of the tgm method but never explained it full..now i'm beginning to see clearly
surf, I think I missed something.
Slide turn slide turn, as in slide to the right turn to the right, slide to the left turn to the left?
I see and feel it more as a turn to the right and a slide to the left and a turn to the left.
As I said I may have missed an explaination or two.
well i have a problem with going over the top ....my slide to the right side is slight and the slide\turn to the left allows my right side to stay on plane into and through the ball while my head stays stable..it's kinda like turning in a box touch the corners and all is ok
10-14-B is a is a weight shift in both directions by the sliding of the hips with a delayed turn.
Hmmm,
I really do not feel much of a slide to the right in my take-away. A weight shift for sure and a turn into my back right pocket then a big slide and turn back on the downswing.
I’m a right in thinking that the slide on the take-away is small?
Certainly not as big as the slide on the downswing.
I must be using 10-14-A.
I know Metallion reported that Homer changed the Swing Stroke from 10-14-A to 10-14-B- and he is correct. But I still can’t imagine the TA slide being as big as the DS slide.
Here are the rest of the changes to 10-14-A and 10-14-B with my apologies to DeepThroat for sharing them with me. But I feel this might be a good time to spill this part of it.
10-14-A, last line - ADD- "with shorter strokes where the Elbow does not leave The Right Side and "Clearing the Right Hip" is not feasible. But only with a Delayed Pivot under strict Hand Control."
10-14-B, 1st sentence - REWRITE- "The Slide Hip Turn (of any length) is a free motion in both directions by the sliding of the Hips with a weight shift in both directions and a delayed turn".
10-14-B, last line - ADD- "with exactly the same restrictions as required for 10-14-A."
Here's my interpretation of the move:
The timeline is off, but I bevieve the positions are more or less correct.
If not, it is time I get someone to correct me.
well i have a problem with going over the top ....my slide to the right side is slight and the slide\turn to the left allows my right side to stay on plane into and through the ball while my head stays stable..it's kinda like turning in a box touch the corners and all is ok
A big AHA for me was that one major side effect (or the reason for it) of the slide is to clear the hips. If you do not clear the hips for the downstroke, It will probably promote coming over the top. (Since there is no space for a straight line delivery path unless the hips are cleared.
(Somewhat guessing here, but it sounds good)
To me Johnny Miller clears the hips just beautifully before going for a heavy come-down, crack & compression.
Easy to ruin it all if the head is not steady. Keeping the head steady is - to me - the most difficult part. I am a sinner - but working on it.
I know Homer loved to pre-set the Hips to the right so the hands won't think that the hips will be in the way during TA. Maybe the slide on the TA is not a parallel move but a simultanous slide and turn??
I think to a student not under the masterful eyes of an AI may slide themselves into a sway.
sdsurfmore:
welcome aboard, you can see that the learning curve around here (at least for me) resembles the Tralfamadoren time line or the string pattern of the chaos theory. You never know where a question leads ya around here.
I know Homer loved to pre-set the Hips to the right so the hands won't think that the hips will be in the way during TA. Maybe the slide on the TA is not a parallel move but a simultanous slide and turn??
You mean left pre-set? Also note that Homer was a hitter. A hitter pre-sets his hips to right of target line (closed hips if you like) which may cause a feel of presetting to clear the hips. As far as I've understand 10-14-B for a hitter is a slide on a line pointing right of target, and not - as for a swinger - parallell to target line.
Originally Posted by 6bmike
I think to a student not under the masterful eyes of an AI may slide themselves into a sway.
Here's my interpretation of the move:
The timeline is off, but I bevieve the positions are more or less correct.
If not, it is time I get someone to correct me.
This is a great thing we have here at this site, illustrations
Compare Seve and JM. 10-14-B is a lot helthier than some other hip actions. We all know Seve has HUGE back problems. I'd guess JM has a healthier back. Not a trained eye, but I feel Seve is more or less crushing his lower back coming down. As he seems to clear his hips (slide forward) later and less.
(I may be totally wrong about this observation as regarding the actual reasons for Seves back problems, but it caught my eye).
Hybrid Mode
