I am an e.m. with a couple of hundred hours spent studying TGM. One of my hardest items of study are the grips set forth in TGM. Manzella's grip as someone called it in an earlier post is the grip which I deem neutral or strong single action. Can the master of grip types come out of the closet.
I will offer my suggestion on grip, noting there are many other options each of which is its own discussion and resulting general pattern.
The simple answer is to understand impact, and how your hands best support the force involved. This must relate to how your body moves most naturally.
In basic terms, I would describe the relationship between left hand and right hand as / and | left and right respectively. The left hand is actually about 45 degrees into the right palm with the left thumb fitting in the 'thumb pocket' formed by pressing the right trigger into the right thumb, ala Hogan's 5 Lessons.
Thus PP#1 is "downplane" on the base of the left hand with the center of the right forearm "stump" as Lynn described previously.
PP3 (to the first joint in the forefinger) is flat, "onplane"
'if' you line up the left arm and club at address, the left wrist is flat and the right forearm is thrusting "downplane" - dragging the knuckles of the left hand Down - wide thin divots
It is called PP#1 for an important reason - that is "the" point of the triangle
Use extensor action and twist away and let the heavy club SWING
While you stay in balance and thrust downward, about 4 feet in front of the ball - both arms straight.
Rotate the hands around the "point", the rotation point
or
bend/arch across the "point", the mirror point - uppercut with the head of the hammer DOWNward with a bent right wrist
All while Supporting the On Plane Swinging Force in Balance
Balance, always - let the heavy club balance you - As Moe I'm certan would agree.
Feel it in your grip, the pressure points.
or
__________________
"Support the On Plane Swinging Force in Balance"
"we have no friends, we have no enemies, we have only teachers"
Simplicity buffs, see 5-0, 1-L, 2-0 A and B 10-2-B, 4-D, 6B-1D, 6-B-3-0-1, 6-C-1, 6-E-2
Thanks for the post. I find a lot of good information there. I am more interested in a summary of 10-2 and a place to discuss the different items.
For example v/v/t seems to me to be a "neutral" grip. Neutral in the manner that when the left wrist is Flat and vertical the face of the club is not closed.
v/v/a has the left thumb and the #3 pressure on the aft of the shaft in an on plane location.
In my mind, which at times is cluttered, I view this grip as a "closed" grip. But obviously the way I am visualizing this grip type is not correct.
v/r/t has the left wrist vertical and the right wrist rolled on top of the shaft. This grip type requires left wristcock and right wrist bend.
I feel certain the left wrist cock and the right wrist bend will always be created through the bending of the right arm and the loading of the accumulators.
"With strong grips, this places the thrust of both the #1 and the #3 pressure points on plane so that the clubhead lag alignments are established and can be verified by the waggle and the forward press."
I was taught to go to impact fix. Then holding the back of the left arm level to the ground (making certain the left wrist is flat with the forearm), the right wrist will be bent and the shaft will be held out in front of you. From here the face can be checked. If the toe is up (taking into considerations of offset) the face is closed. If the toe is down the face is open. If the toe and the heel are level, it is square.
Duval has a shut face grip and uses an angled (leaning toward vertical) higne. Irwin has a square face grip and uses a horizontal hinge. Most of the great players (in my opinion) have used a neutral grip and horizontal hinge because of the hinges characteristics (closing with no layback.)
The seven grip types Mr. Kelley puts forth in 10-2-0 must have a use. As an instructor I change the grips of my better players so that a horizontal hinge can be employed. For others I do other things. However, I have never given anyone a 10-2-c, weak double action grip.
But Mr. Kelley says, "Don't hesitate to adjust you grip for better direction."
I understand 7-2 and the drill set forth in 6-b-3-0 but this is not unlocking the meaning of grip types.
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THis brings me to something Mr. Chuck Evans has on his ebook. He is one hell of an instructor and knows his TGM. In his book he talks of placing the left hand on the club in its natural position. As it lays when your hand is simply hanging.
I just don't know. I will continue to incubate. Chime in if you want.
"In his book he talks of placing the left hand on the club in its natural position. As it lays when your hand is simply hanging."
This will give you the tradiitional strong grip which is found on most tour players. This allows maximum Left Wrist Cock, and facilitates squaring the clubface at Separation. This is contrary to the TGM recommended 10-2-B.
"In his book he talks of placing the left hand on the club in its natural position. As it lays when your hand is simply hanging."
This will give you the tradiitional strong grip which is found on most tour players. This allows maximum Left Wrist Cock, and facilitates squaring the clubface at Separation. This is contrary to the TGM recommended 10-2-B.
Hey Joe,
Just curious . . . I remember reading a good post from you on another forum about TGM not gaining acceptance due to the thumb placement recommended Aft. This may not be an accurate representation of what you said, but anyway . . .
My question is do you place your left thumb aft? with the gap? And why do you place it where you do?
Thumbprint at about 1:00 with thumb snugged up to hand and 3 knuckles showing. The entire thumbprint is on the shaft. Vs pointing approx at Right Shoulder. It allows the most LW cock and clubface control.
The problem I have with 10-2-B is the thumb gap and only the edge of the thumb against the shaft instead of the entire thumbprint. For me it's vague, non-golf like, imprecise, limits control, limits LW cock, and requires more Left Arm roll through Impact.
To my knowledge, few, if any, tour players in the modern era have used 10-2-B. Most on tour use the conventional strong grip, but that's not why I use it. I use it for the same reason they do - it's the best way I've found to hold a golf club. Some would argue that the best players use the standard grip ONLY because they were taught to use it. Don't believe it - they experiment to find what works best, and most end up with the conventional strong grip.
TGM's specification of 10-2-B for the basic Hitting and Swinging strokes, in itself, will insure that it won't accepted by the golfing establishment in it's entirety.
Thumbprint at about 1:00 with thumb snugged up to hand and 3 knuckles showing. The entire thumbprint is on the shaft. Vs pointing approx at Right Shoulder. It allows the most LW cock and clubface control.
The problem I have with 10-2-B is the thumb gap and only the edge of the thumb against the shaft instead of the entire thumbprint. For me it's vague, non-golf like, imprecise, limits control, limits LW cock, and requires more Left Arm roll through Impact.
To my knowledge, few, if any, tour players in the modern era have used 10-2-B. Most on tour use the conventional strong grip, but that's not why I use it. I use it for the same reason they do - it's the best way I've found to hold a golf club. Some would argue that the best players use the standard grip ONLY because they were taught to use it. Don't believe it - they experiment to find what works best, and most end up with the conventional strong grip.
TGM's specification of 10-2-B for the basic Hitting and Swinging strokes, in itself, will insure that it won't accepted by the golfing establishment in it's entirety.
When using a strong grip/tour grip, how do you keep a FLW at the top? Do you use a twist /lift to accomplish this? I'm newer to TGM and have been looking at some pics of a more neutral TGM grip (Manzella's article on grip). I have been taking lessons with a pro who played on tour and played in several US Opens. One of the first things he did was adjust my grip to the conventional tour grip you mention. He has not mentioned wrist position at the top or impact yet. Just curious......
With the strong grip, the LW looks cupped when cocked. As a Swinger who uses the LW throw and a transition from cupped to arched, I couldn't care less whether it looks flat at the top. This transition from cupped to arched is effectively the LW bone outrunning the hands through Impact.
If, as customary, you chose to maintain the top of the Swing LW position to Impact, it's OK, because it IS flat, even though it may appear cupped with the strong grip. Just remember at Impact, the back of the Left Hand will be facing up out of the plane, rather than vertical to it as it would be with the neutral grip.
I just don't know. I will continue to incubate. Chime in if you want.
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